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The de facto standard of standard definition production. The DVW-A500 features SMPTE 259M serial digital V/A interface, built-in analog video and audio interfaces, analog Betacam SP playback capability, optional composite analog input (included), and 4:3 and 16:9 capability. No matter what editing system you have, you'll be able to easily bring in material from miniDV and DVCAM and even DVCPRO25 through SDI or Component. The DSR-1500A incorporates the same innovative, high standard technology featured in the DSR-2000 into a compact, half-rack width design.
The Edit Source is your one-stop location for all things post-production. We have teamed up with Timeline Rentals and GoEdit to provide the state of the art in Avid Media Composer and Final Cut Pro editing systems, Avid Unity and Avid ISIS shared storage and comfortable, trouble free editing suites.
Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras.
Market leaders know that growing and retaining viewer mindshare in an increasingly online world-plus, maximizing ad revenue, sponsorships, subscriptions, and other opportunities depends on delivering quality programming precisely where viewers watch. Live or on-demand. Onsite, at home, on the Web, or via mobile.
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